Lingering Ghosts Exhibition
by Sam Ivin
In the Foyer of St Martin-in-the-Fields
What does it mean to be an asylum seeker in the UK? This was the starting point of Sam Ivin’s research, which began at a drop in centre in Cardiff, Wales and continued all over England. It seeks to raise questions about how the UK’s migration system treats those who arrive in our country seeking safety.
The result is a series of hand scratched portraits, where the eyes have been erased: once arrived in the UK, these people find themselves in a state of limbo, having to await news of their application for asylum for months or even years. They become Lingering Ghosts.
These physically scratched portraits attempt to convey the cruel loss of self, and the frustration that befalls them as they wait to learn their fate.
Ivin’s work offers a contemplative take, away from the glaring lights of the media. His modified portraits simply and powerfully give a view on an issue that is often underreported: the plight of those that waiting for asylum.
Despite being represented without their eyes, these people do have an identity and we recognise them as fathers, mothers, sons and daughters – human beings, after all.
Sam Ivin’s work documents social issues through individual’s stories, with a focus on migration. He studied Documentary Photography at the University of Wales, Newport graduating in 2014. His Lingering Ghosts series was produced and published by Italian communication research centre, Fabrica. (www.fabrica.it.)
Other things to do
Early in 2017, ten reclaimed front doors were hung across the streets of Bristol. The doors were hung in plain sight on the city streets, ignored by passers-by. Street-art culture adopted some of the sites, integrating them into graffiti artworks, but others were completely neglected from the limelight.
Encounters is a groundbreaking project by artist Nicola Green in collaboration with King’s College London, Cambridge University, and Coexist House.
The exhibition showcases a selection of portraiture and sculpture entered into the Koestler Awards – an annual scheme run by the Koestler Trust for over 55 years, inspiring participation in the arts by people in the UK’s criminal justice system.